Resistance and extractivism: Inside Carrara, Italy’s home of white marble | Arts and Culture

Carrara’s connection to anarchism began nearly 150 years ago, when anarchist ideals found fertile ground among the downtrodden workers in the marble quarries. Led by Alberto Meschi, Carrara’s quarrymen became the first in Italy to win a six-and-a-half-hour workday in the early 20th century. Anarchist circles and collectives emerged in nearly every town and neighbourhood across the Carrara region. In Gragnana, a village in the Apuan Alps, Italy’s oldest anarchist circle, “Errico Malatesta”, founded in 1885, still operates to this day.

“I’m one of those who love this town and want it to thrive,” says Rosmunda, who believes the town has been hard-hit by years of austerity policies, introduced by the government following the global financial crisis of 2008, and underinvestment.

Pierre-Alix Nicolet, artist and sculptor, carves a figure from marble in his studio [Alberto Mazzieri/Al Jazeera]

Only a small part of marble-extraction profits now flow back to the municipality, and Carrara and surrounding villages have been left with inadequate social housing, stripped-down health and childcare services and failing public transport.

“It’s hard – there’s no social welfare, public services are falling apart,” Rosmunda says. “The wealth [from marble] stays in very few hands.”

Sculptor Chantal Stropeni adds: “Carrara is a paradox. There’s immense wealth – marble – and yet deep poverty, even among artists. To resist, we’ve formed a collective sculpture studio called Ponte di Ferro. There are 14 of us. We want to approach art differently – collectively. Carrara is a workshop: It’s easy to create here, but incredibly hard to see. The town is falling apart, and maybe that works in its favour: No one pays attention, no one asks questions.”

In the meantime, the mountains are disappearing – at a rate of 4 million to 5 million tonnes per year. The town is growing poorer. Automation has replaced many quarry jobs such as block cutting, drilling, splitting, chiselling and materials removal. Local jobs have dropped from 800 to about 600 in recent years.

Carrara
Artist Rosmunda works in her studio in Carrara [Alberto Mazzieri/Al Jazeera]

But resistance in this region has a long legacy. “We’ve been fighting to reduce the impact of the extractive system – organising events, protests, talks and legal actions – for more than 30 years,” says Paola Antonioli, president of Legambiente Carrara, an Italian environmental nonprofit organisation. “Sure, the road is long. But something is shifting. Collective consciousness is beginning to awaken.”

This took on new strength in 2019 with the formation of Fridays for Future Carrara, which followed the example set by environmental campaigner Greta Thunberg and holds protests on Fridays in the town.

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